Get to Know an Agent in Attendance: Victoria Lea of Aponte Literary

1400255_10200197887830313_1109260645_o-150x150[SOLD OUT OF PITCH APPOINTMENTS]

Agent Victoria Lea comes to Aponte Literary with a degree in psychology, a  background in social work and a life-long passion for reading – especially long, classic novels. As an Associate Agent Victoria seeks to establish her own list of authors and is also responsible for digital content and social media marketing at the agency.

She is seeking: “We accept submissions of any genre of mainstream fiction and nonfiction, but we especially seek women’s novels, historical novels, supernatural and paranormal fiction, fantasy novels, political and science thrillers. In nonfiction, we’ll look at any category with commercial potential. What we consider most important, and certainly more important than genre, is that the writing be strong and fresh.”


Tips For Pitching Your Book at the 2017 KWW

If you are coming to the 2017 Kentucky Writing Workshop, you may be thinking about pitching our agent-in-attendance or editor-in-attendance. An in-person pitch is an excellent way to get an agent excited about both you and your work. Here are some tips (from a former KWW instructor, Chuck Sambuchino) that will help you pitch your work effectively at the event during a 10-minute consultation. Chuck advises that you should:

  • Try to keep your pitch to 90 seconds. Keeping your pitch concise and short is beneficial because 1) it shows you are in command of the story and what your book is about; and 2) it allows plenty of time for back-and-forth discussion between you and the agent. Note: If you’re writing nonfiction, and therefore have to speak plenty about yourself and your platform, then your pitch can certainly run longer.
  • Practice before you get to the event. Say your pitch out loud, and even try it out on fellow writers. Feedback from peers will help you figure out if your pitch is confusing, or missing critical elements. Remember to focus on what makes your story unique. Mystery novels, for example, all follow a similar formula — so the elements that make yours unique and interesting will need to shine during the pitch to make your book stand out.
  • Do not give away the ending. If you pick up a DVD for Die Hard, does it say “John McClane wins at the end”? No. Because if it did, you wouldn’t buy the movie. Pitches are designed to leave the ending unanswered, much like the back of any DVD box you read.
  • Have some questions ready. 10 minutes is plenty of time to pitch and discuss your book, so there is a good chance you will be done pitching early. At that point, you are free to ask the agent questions about writing, publishing or craft. The meeting is both a pitch session and a consultation, so feel free to ask whatever you like as long as it pertains to writing.
  • Remember to hit the big beats of a pitch. Everyone’s pitch will be different, but the main elements to hit are 1) introducing the main character(s) and telling us about them, 2) saying what goes wrong that sets the story into motion, 3) explaining how the main character sets off to make things right and solve the problem, 4) explaining the stakes — i.e., what happens if the main character fails, and 5) ending with an unclear wrap-up.