The 2020 Kentucky Writing Workshop: April 4, 2020 (Louisville)

Screen shot 2014-07-23 at 12.58.51 PMAfter successful events in 2015, 2017, and 2019, the Kentucky Writing Workshop is back for 2020! Writing Day Workshops excited to announce The 2020 Kentucky Writing Workshop — a full-day “How to Get Published” writing event in Louisville, KY, on April 4, 2020.

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (175 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2020 Kentucky Writing Workshop!

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Saturday, April 4, 2020, at the Louisville Marriott East. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s faculty so far includes:

  • literary agent Cate Hart (Harvey Klinger Literary)
  • literary agent Alexandra Weiss (Jennifer De Chiara Literary)
  • literary agent Kortney Price (Corvisiero Literary)
  • literary agent Brent Taylor (Triada US Literary)
  • literary agent Alice Speilburg (Speilburg Literary)
  • literary agent Chrysa Keenon (CYLE Literary)
  • literary agent Lizzie Poteet (The Seymour Agency)
  • literary agent Kenzi Nevins (CYLE Literary)
  • and possibly more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS

9:30 a.m. – 5 p.m., Saturday, April 4, 2020, at the Louisville Marriott East, 1903 Embassy Square Blvd, Louisville, KY 40299. (502)491-1184.

Screen Shot 2018-11-17 at 8.31.33 PM.png

THIS YEAR’S SESSIONS & WORKSHOPS (APRIL 4, 2020):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule page here.

Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:

8:30 – 9:30: Check-in and registration at the event location.

BLOCK ONE: 9:30 – 10:30

1. Getting Published in Today’s World: 10 Tips to Make You the Writer Agents and Publishers Want. This workshop discusses the challenges writers face in publishing today and offers up 10 practical tips to help you break through the barriers and find success.

MORE CLASSES COMING SOON

Screen Shot 2015-12-30 at 1.44.34 AMBLOCK TWO: 10:45 – 11:50

1. Characters: The People of Your Story. This session will discuss templates you need to develop characters as well as the concept of character arc and change. These include profiling, psychological frameworks, and the to show character arc and change.

MORE CLASSES COMING SOON

(What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule page here.)

LUNCH ON YOUR OWN: 11:50 – 1:15

Lunch is on your own during these 85 minutes.

BLOCK THREE: 1:15 – 2:30

1. “Writers Got Talent”—a Page 1 Critique Fest. (Bluegrass AB) This is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

CLASSES COMING SOON

BLOCK FOUR: 2:45 – 3:45

1. Platform, Product & Promotion: Understand Your Unique Position as an Author. This course will help authors make decisions, such as should whether to traditional publish or self-publish; what areas they should focus their creative and marketing efforts on; and much more.

MORE CLASSES COMING SOON

(What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule page here.)

BLOCK FIVE: 4:00 – 5:00

CLASSES TBA

SESSIONS END: 5:00

At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT!

Screen Shot 2019-11-21 at 2.32.54 PM.pngAlice Speilburg is the founding literary agent of Speilburg Literary Agency. She enjoys nonfiction in the areas of History, Journalism, LGBTQ, Pop Culture, Psychology, Science, Travel, and True Crime. “In nonfiction, I’m looking for cultural narratives, microhistory, nature, and pop science written by journalists and academics.” In fiction, she represents women’s fiction, crime fiction, some fantasy (specifics on her agent page), upmarket genre fiction, historical fiction, mystery, thriller, action/adventure, and horror. Learn more about Alice here.

Screen Shot 2019-11-11 at 9.47.12 AMAlexandra Weiss is a literary agent with Jennifer De Chiara Literary. She is seeking beautifully written young adult fiction (realism, science fiction, and fantasy – but stories that include magic, space, or science are not for her). She loves coming-of-age tales; stories that explore culture, race, sexuality, and identity; and literature from diverse and underrepresented voices. She represents all types of adventurous, silly, and out-of-the-box children’s picture books and middle grade books. In adult fiction, she is “open to most genres, but category romance, or heavy mystery/horror/thriller stories are not for me. Books that are written in or include uses of uncommon formats (uses of letters, screenplay, photos, poetry, or collection of short stories or essays) is another unique quality I look for.” Learn more about Alexandra here.

Screen Shot 2019-07-09 at 2.56.29 PM.pngCate Hart is a literary agent with Harvey Klinger Literary Agency. She specializes in historical, whether in young adult, women’s fiction and romance, or narrative nonfiction. She is particularly drawn to oft-forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. She also loves high-concept fantasy in YA and Adult fiction. Cate seeks the following nonfiction categories: narrative, history, film, TV, theatre, pop culture, and music. She also seeks the following fiction genres: historical, commercial, women’s fiction, romance, fantasy, mystety, psychological thriller, middle grade, and young adult. Learn more about Cate here.

Screen Shot 2019-11-14 at 11.47.38 PMKortney Price is a literary agent with Corvisiero Literary. Kortney specializes in books for children. This includes picture books, early readers, chapter books, middle grade and young adult works. In picture books, early readers, and chapter books, Kortney is drawn to fresh ideas, humor, and diverse representation. In middle grade, Kortney is desperately looking for adventure and survival stories, mysteries, science fiction, historical, fantasy and contemporary novels. Graphic novels are one of her favorite mediums. In young adult, Kortney is looking for her perfectly “dark and stormy” stories. Magical realism, psychological thrillers, steampunk, historical, paranormal and science fiction are favorites of hers. Outside of these, she loves sweet and humorous “geeky” or “artsy” romances. Learn more about Kortney here.

ChrysaChrysa Keenon is a literary agent with CYLE Literary. She is seeking: For adult novels, she seeks humorous romance, LGBTQ+ romance, and low fantasy. In young adult, she seeks humorous/lighthearted contemporary romance, fantasy LGBTQ+, diverse romance, magical realism, and stories about characters from marginalized backgrounds. She also will consider fairytale retellings/spinoffs and middle grade fantasy. Learn more about Chrysa here.

Screen Shot 2019-11-08 at 11.00.58 AMBrent Taylor is a literary agent and subsidiary rights manager at Triada US Literary. He is seeking: All kinds of books for children, including picture books, middle grade novels, young adult novels, graphic novels for kids and teens, and nonfiction for kids and teens. Learn more about Brent here.

Screen Shot 2019-11-19 at 12.08.49 AMLizzie Poteet is a literary agent with The Seymour Agency. Lizzie is always looking for a good love story. She loves classic romance tropes, strong dialogue, sassy heroines, witty banter, and good old fashion romance. She’s actively seeking inspirational romance, cozy mystery, new adult romance, young adult (no speculative), romantic suspense, historical and contemporary romances, and loves anything with a happy ending. Learn more about Lizzie here.

Screen Shot 2019-11-15 at 4.23.30 PMKenzi Nevins is a literary agent with CYLE Literary Elite. Kenzi personally seeks picture books (text only is fine, but author-illustrators are her favorite), middle grade (all kinds), young adult (all kinds, including graphic novels with images), and adult fantasy. She is also happy to take pitches on behalf of her many co-agents, and pass on great submissions to them after the event. That means she will take pitches for romance (all kinds), literary fiction, mainstream fiction, science fiction, high & low fantasy, historical, mystery, thriller, suspense, women’s, and Christian/inspirational. For nonfiction, she will take pitches for parenting, leadership, ministry, devotionals, and self-help. She will also take pitches for board books and chapter books. Learn more about Kenzi here.

 

            More 2020 agents/editors will be added in the coming weeks/months.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

PRICING

$189 — the EARLY BIRD base price for registration to the 2020 KWW and access to all workshops, all day, on April 4, 2020. As of October 2019, event registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from instructor Brian Klems. (This rate is a special event value for Kentucky Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 double-spaced pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Thriller, science fiction, suspense, action, war, historical fiction, romance, and nonfiction: Faculty member Bob Mayer, a published writer, will get your work in advance, edit the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss his thoughts, and pass along written critique notes at the meeting.
  • More critique options forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Brian plans different workshops, make sure you note that you’re inquiring about the Kentucky workshop specifically.

REGISTRATION

Because of limited space at the venue of the Louisville Marriott East, the workshop can only allow 175 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The KWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Kentucky workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)

Screen Shot 2016-11-16 at 10.43.05 AM.png

Thank you for your interest in the 2020 Kentucky Writing Workshop.

Get to Know an Agent in Attendance: Kenzi Nevins of CYLE Literary Elite

Screen Shot 2019-11-15 at 4.23.30 PMKenzi Nevins is a junior literary agent with CYLE Literary Elite.

Kenzi personally seeks picture books (text only is fine, but author-illustrators are her favorite), middle grade (all kinds), young adult (all kinds, including graphic novels with images), and adult fantasy. She is also happy to take pitches on behalf of her many co-agents, and pass on great submissions to them after the event. That means she will take pitches for romance (all kinds), literary fiction, mainstream fiction, science fiction, high & low fantasy, historical, mystery, thriller, suspense, women’s, and Christian/inspirational. For nonfiction, she will take pitches for parenting, leadership, ministry, devotionals, and self-help. She will also take pitches for board books and chapter books

“My personal interests lie in mythology and retold fairy tales, so I would say that fantasy and magic realism generally get me the most excited, but I will look at anything.”

Kenzi is an award-winning writer with a passion for magic realism and mythology. A graduate of Taylor University’s professional writing and theatre programs, she spent two semesters studying in the story-laden Wicklow Mountains of eastern Ireland. Previously, she won second place for theatre journalism and critique from the Kennedy Center for American College Theatre, and her short story, “The Last Freedom,” was published in eBook and paperback by StoryShares.

When she isn’t writing, Kenzi can be found watering her fairy garden, experimenting with little-known tea flavors, or wandering the aisles of her Kentucky library.

Get to Know an Agent in Attendance: Kortney Price of Corvisiero Literary

Screen Shot 2019-11-14 at 11.47.38 PMKortney Price is a literary agent with Corvisiero Literary.

Kortney specializes in books for children. This includes picture books, early readers, chapter books, middle grade and young adult works.

In picture books, early readers, and chapter books, Kortney is drawn to fresh ideas, humor, and diverse representation.

In middle grade, Kortney is desperately looking for adventure and survival stories, mysteries, science fiction, historical, fantasy and contemporary novels. Graphic novels are one of her favorite mediums.

In young adult, Kortney is looking for her perfectly “dark and stormy” stories. Magical realism, psychological thrillers, steampunk, historical, paranormal and science fiction are favorites of hers. Outside of these, she loves sweet and humorous “geeky” or “artsy” romances.

Some general things Kortney loves to see in stories that aren’t listed above include: an awesome sense of humor, art and artists, antiques and old buildings, strong and quirky families, and special needs representation. Stories featuring characters with developmental or physical disability are especially close to her heart. #OwnVoices and diverse books are always welcome in her inbox.

Kortney was (and still is) that person in the bookstore who recommends books to strangers based on what they’re buying. When she realized that she could make a career out of helping authors and getting excited over books, she decided to pursue a career in agenting. So, after graduating with a B.A. in English from Greenville University in 2014, she started out with her first agency internship. Since then she has interned with Andrea Hurst & Associates, Amphorae Publishing Group, and Inklings Literary Agency. She was an associate agent at Holloway Literary before finding her home with Corvisiero.

Outside of her world of books and publishing, Kortney can typically be found attending musicals, meandering through art museums, watching an absurd amount of movies, pretending she understands and can teach sports at her aunt’s special needs nonprofit, exploring the city, catering to her diva dog’s every whim, and trying to rein in her overly energetic corgi mix.

Get to Know an Agent in Attendance: Brent Taylor of TriadaUS Literary

Screen Shot 2019-11-08 at 11.00.58 AMBrent Taylor is a literary agent and subsidiary rights manager at Triada US Literary.

He is seeking: All kinds of books for children, including picture books, middle grade novels, young adult novels, graphic novels for kids and teens, and nonfiction for kids and teens.

In his own words:

“I focus on books for kids and teens and describe my taste as upmarket: I fall in love with books that are extremely well-written, robust with emotion, and appeal to a wide, commercial audience.”

Picture books: “I am seeking picture book projects from authors and author-illustrators. My taste in this category covers a wide range: I love picture books that are fun and bonkers, as well as ones that are more literary. I’m open to fiction, non-fiction, and picture books in unusual formats or styles—verse, rhyme, comics, etc. Some of my favorite picture books are Julián Is a Mermaid by Jessica Love, Alma and How She Got Her Name by Juana Martinez-Neal, My Papi Has a Motorcycle by Isabel Quintero and Zeke Peña, The Dress and the Girl by Camille Andros and Julie Morstad, and The Sound of Silence by Katrina Goldsaito and Julia Kuo. Some of the picture books I’ve worked on include Prince & Knight by Daniel Haack, Seven Bad Cats by Moe Bonneau, and Pies from Nowhere by Dee Romito. Some forthcoming picture books on my list include Poultrygeist by Eric Geron, Test This Book by Louie Zong, and I’ll Go and Come Back by Rajani LaRocca. I’m looking for picture books with an energy that pops off the page, that kids have never seen before, and that will turn them into life-long readers.”

Middle grade: “My middle grade list covers first kisses, demon-slaying, water dragon races, magical baking competitions, and everything in between. I love a wide range of middle grade, and the best way to describe what I’m looking for is to tell you about my favorite middle grade novels: Keeper by Kathi Appelt, The Best Man by Richard Peck, Inside Out & Back Again by Thanhhà Lại, The Penderwicks by Jeanne Birdsall, and The Girl Who Drank the Moon by Kelly Barnhill. Some of the middle grade projects I’ve worked on include the Kiranmala and the Kingdom Beyond series by New York Times-bestselling author Sayantani DasGupta, Free Lunch by Rex Ogle, and Smoke and Mirrors and the Silver Batal series from K. D. Halbrook. Being between the ages of 8 and 12 is so difficult. Kids are on the cusp of what feels like a vast, overwhelming, and unwelcoming world. I want to represent middle grade that enlightens kids to all the love and joy that the world has to offer.”

Young adult:” Though I lean more toward realistic/contemporary fiction, my interests encompass high fantasy and lightly speculative projects too. I love YA that captures the dichotomies of being young—how, as a teen, you yearn for freedom, but at the same time it’s incredibly scary for so many parts of your life to be changing. My favorite YA novels are bittersweet, authentic portrayals of what it’s like to be figuring out who you are, what this world is, and how those two things fit in with one another. Some of my favorite YA novels are The Vast Fields of Ordinary by Nick Burd, Dig by A. S. King, Ordinary Girls by Blair Thornburgh, and Strange the Dreamer by Laini Taylor. Neal Shusterman’s novels (particularly the Arc of a Scythe series) are a great example of the type of smart, commercial, and high-stakes YA that I love. Some YA novels I’m proud to have worked on include Whitney Gardner’s Schneider Family Book Award-winning You’re Welcome, Universe, 500 Words or Less by Juleah del Rosario, The Pursuit of Miss Heartbreak Hotel by Moe Bonneau, and Perfect Ten by L. Philips. I’m passionate about young adult fiction that helps teen readers discover, love, and live as their most authentic selves.”

Graphic novels (for kids or teens): “I’m open to both text-only graphic novel scripts and author-illustrated projects. My favorite graphic novels include The Prince and the Dressmaker by Jen Wang, Sanity & Tallulah by Molly Brooks, and Be Prepared by Vera Brosgol. Some of my graphic novel clients include Whitney Gardner, Tori Sharp, Rex Ogle, and Bre Indigo.”

Nonfiction (for kids or teens): “I’d love to see all sorts of nonfiction in the categories that I represent, including but not limited to biographies, memoir, narrative, history, science, and how-to.”

Get to Know an Agent in Attendance: Alice Speilburg of Speilburg Literary

Screen Shot 2019-11-21 at 2.32.54 PM.pngAlice Speilburg founded Speilburg Literary Agency in 2012, bringing with her the editorial and business expertise she had developed in previous publishing positions at John Wiley & Sons and Howard Morhaim Literary Agency. She is a member of Romance Writers of America, Mystery Writers of America, and Society of Children’s Book Authors and Illustrators, and she is a board member of Louisville Literary Arts. She is currently building her client list and represents a wide range of fiction and nonfiction.

Nonfiction:

She enjoys nonfiction in the areas of History, Journalism, LGBTQ, Pop Culture, Psychology, Science, Travel, and True Crime. “In nonfiction, I’m looking for cultural narratives, microhistory, nature, and pop science written by journalists and academics. I’d love to see more nonfiction proposals, so even if you think your nonfiction project is not quite what I’m looking for, please send it over so that I can take a look.” She’d love to see

  • Pop Science Narratives that inform some particular quirk of our human nature or the world around us, like STIFF, or ON TRAILS
  • Pop Science Narratives that tie closely with political discussions regarding the environment, social issues, etc., like INFERIOR, OVERRUN, or LOST MOUNTAIN
  • Nonfiction Narratives that weave history or science through memoir, like THE OREGON TRAIL, or SPINELESS
  • Nonfiction narratives that focus on the intersection of two — perhaps unlikely — subjects, like WAR AND WINE, or EYE OF THE BEHOLDER
  • Journalistic Narratives that focus on a specific place, thing, or circumstance to show something about our culture at large, like JANESVILLE, THE GOOD GIRLS REVOLT, GHOSTLAND, or WILD ONES

Fiction:

She represents women’s fiction, crime fiction, some fantasy (specifics below), historical fiction, mystery, thriller, action/adventure, and horror.

“In fiction, I’m looking for stories that sidestep into history, magic, mystery, horror, or adventure. My favorite sub-genres are feminism, narrative nonfiction, and upmarket genre fiction.” She would love to see

  • Historical Fiction that reimagines factual events, especially crimes or mysteries, like BURIAL RITES, THE BALLAD OF TOM DOOLEY, or THE LAST DAYS OF NIGHT
  • Women’s Fiction that oscillates between modern and historical perspectives like THE DOLLHOUSE
  • Historical Fiction that sidesteps into magic, like OUTLANDER, A SECRET HISTORY OF WITCHES, or THE MONSTERS OF TEMPLETON
  • Fantasy based on American folklore, earthy and magical, like THE VINE THAT ATE THE SOUTH
  • Fantasy that contains mythical elements, like THE BIRD KING, THE GOLEM AND THE JINNI, or THE BEAR & THE NIGHTINGALE
  • Adventure Fantasy with fresh and unique magic, like A DARKER SHADE OF MAGIC, THE BOOK OF DUST
  • Police Procedural Mysteries that are grounded in both a unique investigator and an evocative setting like the ARMAND GAMACHE series and the ALEX MCKNIGHT series
  • Psychological Thrillers that border on horror with smart female protagonists, like IN A DARK, DARK WOOD

Get to Know an Agent in Attendance: Chrysa Keenon of CYLE Literary

ChrysaChrysa Keenon is a literary agent with CYLE Literary.

She is seeking: For adult novels, she seeks humorous romance, LGBTQ+ romance, and low fantasy. In young adult, she seeks humorous/lighthearted contemporary romance, fantasy LGBTQ+, diverse romance, magical realism, and stories about characters from marginalized backgrounds. She also will consider fairytale retellings/spinoffs and middle grade fantasy.

Chrysa holds a degree from Taylor University in Professional Writing with minors in Public Relations and Creative Writing. She began her agenting career as an intern at The Seymour Agency and gained experience in the editorial world at GenZ Publishing. She is the recipient of the Blue Seal Award for 1st place YA Sci-Fi/Fantasy fiction and 1st Place News and Feature Story from the Indiana Collegiate Press, among others. She has over 400 publications and currently works as a content writer for a Midwest bridal magazine. Chrysa enjoys puns, coffee, and traveling to oceanside cities.

Get to Know an Agent in Attendance: Cate Hart of Harvey Klinger Literary

Screen Shot 2019-07-09 at 2.56.29 PM.pngCate Hart is a literary agent with Harvey Klinger Literary Agency.

Cate joined the agency in 2019 after 5 years with a New York agency. She specializes in historical, whether in young adult, women’s fiction and romance, or narrative nonfiction. She is particularly drawn to oft-forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. She also loves high-concept fantasy in YA and Adult fiction.

A graduate of the University of Tennessee, studying Theatre and History, Cate currently lives in Nashville with her children.

Cate seeks the following nonfiction categories: narrative, history, film, TV, theatre, pop culture, and music. She also seeks the following fiction genres: historical, commercial, women’s fiction, romance, fantasy, mystety, psychological thriller, middle grade, and young adult.